By: Shraman Jain.

Power Star Puneeth Rajkumar is all set to surprise the audience by his first ever guest appearance in the film "Humble Politician Nogaraj", featuring Danish Sait.

Puneeth took part in the shooting at Sindhi college. The director has not surrendered any data about, what part will Puneeth play in the movie.

Puneeth's guest appearance in the film has surely raised the desires. Director Saad Khan is exceptionally certain that, Puneeth's part in the film will be a surprise to the group of onlookers and they'll completely appreciate as well.

Alongside Saad Khan, Danish has additionally contributed for the screenplay of the film, produced by Hemant Rao and Rakshit Shetty, alongside Pushkar Mallikarjunaih.

The film is in the last leg of its shoot, wanted to hit the the silver screens in the period of December.

By: Nishan Puthran.

Priyanka Upendra, who has practically finished her segment in the movie 'Second Half', is right now working in the movie 'Howrah Bridge', coordinated by 'Mummy' notoriety Lohit.

The shooting of 'Howrah Bridge' has just started in Kolkata, which unobtrusively finished its 40% shooting. Director Lohith has shot a few critical scenes of Priyanka and others. The film's principle scenes are taped in numerous territories of Kolkata, including Howrah Bridge.

'Howrah Bridge' is produced in Kannada, however will be dubbed to Bengali and Tamil. Priyanka's little daughter has likewise featured in the film, additionally has some most prevalent artists of Kolkata in the film.

The film is being produced by Bhaskar Rashi and Prasad Rao. The film has H C Venu's cinematography.

By: Nishan Puthran.

Sandalwood's Rocking star Yash starrer KGF will be released in two parts.

Yash, who'll be assuming the part of a gangster of 70's - 80's period, which is being shot for as far back as couple of months and Prashant Neel is directing this Magnum Opus. KGF is an expensive movie ever made in sandalwood, produced by Vijay under Hombale Movies.

Presently, the most recent news is that, the makers are wanting to discharge the film in two parts. As per a source, this particular choice has been taken because, the film is coming up with splendid story and excellent making.

In the interim, the audio of KGF movie is in immense request. Greater audio companies have fallen behind the KGF, trusting that the film will have a wonderful return. Satellite and distribution rights of the same in Hindi and other South Indian dialects have been as of now sold out at a whooping cost.

Yash, a mainstream actor, additionally has a major fan base in North India. A large number of Yash's movies have been dubbed in Bhojpuri and Hindi. Trusting these certainties, immense organizations are anxiously holding up to purchase the rights, without doubt.

By: Nishan Puthran.

As everybody know, as of late Appu began the production house, which is named as PRK Productions. Furthermore, now he has entered for an audio business.

Indeed, Puneeth is beginning his own particular audio company, which is named as 'Rajkumar Music', will start its business, by purchasing the audio rights of 'Anjaniputra'. Anjaniputra creators are aiming to discharge the audio in the principal seven day stretch of November.

As indicated by a source, numerous audio companies have just moved toward Anjaniputhra makers for its audio rights. Be that as it may, the producers haven't sold the sound rights to anybody, since Puneeth himself is releasing the same through his own particular new audio company.

Anjaniputra is directed by A. Harsha, which has music formed by Ravi Basrur. There are six songs in the film. Chetan Kumar (Bharjari Director), K. Kalyan, Basrur, Nagendra Prasad have penned the lyrics, and one of the song is sung by Puneeth .

By: Siddharth.

Golden Star Ganesh and Rashmika starrer Chamak has successfully finished its shooting, with only one fighting scene remaining.

Meanwhile, the team has been returned from North Karnataka, after completing the shoot of a romantic number, which took place in the coastal areas, near Karwar.

The film is being directed by Simple Suni, has decided for Christmas release. Produced by TR Chandrasekhar, is having Santosh Rai Pathaji's cinematography.

By: Shraman Jain.

Actor Kamal Haasan's daughter, Shruti Haasan, who was said to act in Nanda Kishore's "Pogaru" as a female lead for Dhruva Sarja.

Shruti, who tweeted on Twitter for her inclusion in "Pogaru" film, stated, "Clarifying that I have no plans of doing a Kannada film soon and have had no talk with any1 in regards to it either #rumor".

However, Nanda Kishore had stated, he'll be acquainting Shruti Haasan with Kannada film through "Pogaru".

Reviewed By: Harish Mallya.

Huliraaya (2017 / Kannada) is an interesting tale of a raw ferocious looking innocent guy who is lost in the real world and  his own surreal world. The film as noticed in the trailers and promos is based on the subject of migrants, but this is just a central theme around which different other narrative aspects of the film has been written. We all seem to be migrants during one point of time in our life and the tendency of moving towards a bigger civilised urban space is the preferred choice. The preference and need comes from need of opportunity. There have been several film where we see the protagonist getting displaced from his rooted environment to an alienated place. Certainly there have been many films on this aspect done before in popular cinema. Once the migration is done the narrative does not explore the possibilities of going back. Huliraaya puts an effort to do this. A film based on very much similar theme was made by TS Nagabharana during the 90s. in his film "Devara Kadu". The similarity lies only in the theme of migration to the city and realising the importance of roots to get back. Huliraaya binds in a story of romance as well as crime to make the narrative far more engaging.

Survey has shown that the boys in the village nowadays hardly get marriage proposals. Most from the to be brides side prefer the groom to be a city based person. This is a very natural development that has happened over the years and is tied to several aspects like economic status, security and the sense of law that is in the city. It is more easy to dissolve in a bigger city. In Nagraj Manjule's "Sairaat" or other films that are on similar theme the escape to city helps in decreasing the threat to the newly wed. Even though the city is a new environment it slowly pulls you in to be a part of it. This is one other aspect that Huliraaya tries to touch on, the desire of the girl to marry a city based person. This however is not dealt in detail as the narrative progresses in a different way. The narrative clearly marks the difference between the two fronts that come in while the protagonist decides to move to the city. In the pre-interval part he moves he does not have the interest and goes aimlessly but whereas during the later half he has a purpose. The transition of the character by then is clearly shown visually. The difficulties seen in the first half are not depicted as real problems to the protagonist. Its shown more in a humorous an lighter way. It is an interesting way to show it in this manner especially the scene involving the usage of toilet, petrol station, the street acts, processions and the shopping mall gives you laugh but are difficult times for the so called Huliraaya. The lack of confidence in the first half and the sense of confidence in the later half gives a clear indication on the influence the working of the city has on him.

This is out-and-out a film based and written for a single main character. The rest of the characters are supportive and by no means there is something that is out of place in the whole setup. The tone of the film is louder than usual. The character written for Huliraaya is such that it is way beyond normal because it does demand for such and Balu Nagendra does a phenomenal act playing it. Due to this the performances of the other characters too have been pushed up to be bit more dramatic than following the usual natural feel. The way two heroines have been made part of the narrative is interesting. It would have been easier to retain one and get along with the story but with the intention of adding in more importance to the city v/s forest conflict seems to be done in this way. The old person who describes and talks about the legendary Huliraaya seems like a Sutradhaar as he is always present during the most important points in the film. In the modern days of film-making getting in such a character does require a thought as he is as important as the main protagonist. The talks with the nature which usually is metaphorical in most of the films finds a real context here. The film has an interesting case of not all bad people are bad. There is a sense of gratitude that gets shown in the film.  If you count the number of deaths that happen in the film you will be surprised. Am sure that will bring a smile if you count. While you are watching you might have had a count of how many would die but do check after you complete the film.

The film never establishes where the forest part is verbally except for one dialogue which speaks about Durga Parameshwari temple which is more popular in the Dakshina Kannada. The visuals hint the region used to be in and around Agumbe, Hebri, Koppa and Seetha River basin region. There is a rather disconnect with the dialect spoken in the film and the dialect that is actually used in that region. If you care about such details the placement of the region is a bit annoying. The essence of the nature is very nicely captured. Its a known thing that the place itself is so beautiful that you get good shots but still you need to have an eye for locating the required places and capturing it. There are several good shots one in particular that needs a special mention is the shot which shows Suresha / Huliraaya raising his face in the river. Also during the near climax where he emerges from the high grown crop field. Some shots do give the effect of "indie film" and that seems to be proportional to the budget that went into the making of the film. There is something peculiar about the edits. There are jumps, there are this sequence of a conversation which seem to have been shot multiple times and joined. Even though it looks to be continuous you just cant ignore the cuts that it has gone through. Since most of the film carries this edit style you kind of get used to it after a while of settling down. The music is quite an amalgamation of modern and folk. "Save the tiger" verse in one of the track is something that lingers even after the film. The title cards have a trendy kind of feel.
Balu Nagendra brings in the energy that the film requires. Its only him. He has lived the role. As i mentioned earlier his ferociousness is something that the film uses for laughter. I doubt if there was anyone else who could portray this role. With "Janardhan of OMK" and "Parrmy of OA" this is yet another strong character that has come out of Kannada cinema this year. It just takes one role to get a take off and this is one such role that he has put in his best.  The female leads have limited roles and the contrast of cuteness that comes along with the raw looks of the protagonist makes it interesting.  The supportive cast is fairly in place except that they sound a bit loud and the reason is with the tone that the film works on.

Huliraya has cliches, it shows things that we have seen before. There is too many cinematic or "filmy" moments but still the overall feel you get while watching is quite unique. Arvind Kaushik and Shilpa, also Balu deserve appreciation for realising this as a film and Nagesh Kogilu to dare to invest in such a film. It looks exotic on script but it has taken quite some efforts to get it into form of a film. Pushkar and Rakshit backing this is something that has helped the film in a bigger way in terms of reach. Collectively there has been an effort to make the film and present it. The commercial viability is something that needs to be waited on. Some aspects that will stay for this film and forthcoming times... Arvind's writing, Balu's performance and the backing of Pushkar and Rakshit.

If films like these work it gives a greater confidence to try out and experiment on different styles of narratives.

So, yes, "Save The Tiger". Because, he is quite innocent and is good at heart.

By: Nishan Puthran.

Sandalwood's Power Star Puneeth Rajkumar, who has gigantic prevalence and is liked by everybody, independent of age. Crowd are especially eager to watch him and his films on screen.

5 years back, Appu had entered to small screen by hosting a prevalent show 'Kannadada Kotyadhipathi', through which he demonstrated that he is a decent host as well. In the middle of these years, he is producing a serial 'Mane Devaru', which is being broadcasted in 'Colors Super'.

Presently an inquiry gives the idea that, will Appu again show up in little screen?
Obviously! Appu will again have a diversion appear in one of the popular channel 'Colors Kannada'.

This show is arranged with various thought, notwithstanding this, Power Star is hosting the same. In this way, unquestionably this will be a powerful program.

As of now, Appu is occupied with his production house, producing remarkable contents and furthermore, he is caught up with shooting for the film Anjaniputhra.

By: Shraman Jain.

Rebel Star Ambareesh and Abhinaya Chakravarthy Kichha Sudeepa are rejoining again for a movie z which will be coordinated by Nanda Kishore.

After "Veeraparampare", the star actors were not seen together in any of the movies. Seven years later, they will act together in the film titled "Ambi Ninge Vayassaitto".

For quite a while, Ambareesh was generally restricted to guest roles. In any case, here he'll be assuming a lead part.

After the culmination of "Pogaru", starring Dhruva Sarja, Nanda Kishore has chosen to kickstart the venture.

By: Siddharth.

With an awesome hit in the debut movie 'Ondu Motteya Kathe', Raj B Shetty is equipping to act in Hemant Kumar's new directorial venture. 

Indeed, Raj B Shetty is good to go to assume the role of a taxicab driver in the same. 

Conversing with a leading daily, Raj stated, "I am not here to end up noticeably a star actor. In this way, I am allowed to take the characters that draw in me". 

He additionally included, "Hemant was impressed with Janardhan's execution in Ondu Motteya Kathe. Along these lines, he picked me as the hero for this film. This film isn't like all Kannada films. I think this character investigates the life and its scope. Regardless of whether my choice is correct or wrong will be chosen later. Be that as it may, I feel it is on the right track to be one among the majority in my determination of parts."

ವಿಮರ್ಶಕ : ಸಾಗರ್ ಪಡಿವಾಳ್.

ಫಿಲ್ಮಿಬೀ ರೇಟಿಂಗ್ : 4/5

ಮೊದಲನೆಯದಾಗಿ ಸರ್ವರಿಗೂ ನವರಾತ್ರಿ ಹಬ್ಬದ ಹಾರ್ದಿಕ ಶುಭಾಶಯಗಳು.

"ತಾರಕ್" ಚಿತ್ರದ ಮೂಲಕ ಬಾಕ್ಸ್ ಆಫೀಸ್ ಚಕ್ರವರ್ತಿ ದರ್ಶನ್ ರವರು ತಮ್ಮ ಅಭಿಮಾನಿಗಳಿಗೆ ಮತ್ತು ಪ್ರೇಕ್ಷಕರಿಗೆ ಹಬ್ಬಕ್ಕೆ ಅದ್ಭುತವಾದ ಉಡುಗೊರೆ ನೀಡಿದ್ದಾರೆ.

ಹೇಗಿದೆ ಚಿತ್ರ? ಇಲ್ಲಿದೆ ನೋಡಿ ಕಂಪ್ಲೀಟ್ ಡೀಟೇಲ್ಸ್...

‍‌‌ಸಿನಮಾ ಅಂದ್ರೆ ಮೊದ್ಲ್ನೆದಾಗಿ ನೆನಪಿಗೆ ಬರೋದೆ ಹೀರೊ ಬಿಲ್ಡಪ್ಸ್ , ಇಂಟ್ರೊಡಕ್ಷನ್ ಸಾಂಗ್, ಫೈಟ್ಸ್ , ಕೌಂಟರ್ ಡೈಲಾಗ್ಸ್, ಅವಗವಾಗ ಬರೋ ಹೀರೋಯಿನ್ಸ್, ಕೆಲವೊಮ್ಮೆ ಅಬ್ಬರಿಸುವ ವಿಲನ್ಸ್. ಆದ್ರೆ, 'ತಾರಕ್' ಚಿತ್ರ ಇದ್ಕೆಲ್ಲಾ ತದ್ವಿರುದ್ದವಾಗಿದೆ ಅಂದ್ರು ತಪ್ಪಾಗಲ್ಲ.

'ತಾರಕ್' ನಿರ್ದೇಶಕ ಪ್ರಕಾಶ್ ಅವರು ತಮ್ಮ ಹಿಂದಿನ ಸಿನಿಮಾಗಳಂತೆ ಕಥೆಗೆ ಪ್ರಾಮುಖ್ಯತೆ ನೀಡಿದ್ದು, ಪಾತ್ರಗಳಿಗೂ ಅಷ್ಟೇ ಪ್ರಾಮುಖ್ಯತೆ ನೀಡಿದ್ದಾರೆ. 'ರಿಷಿ', 'ಖುಷಿ' ಮತ್ತು 'ಮಿಲನ' ರೀತಿಯಲ್ಲೇ 'ತಾರಕ್' ಕೂಡ ಮೂಡಿಬಂದಿದೆ ಎಂದರೆ ತಪ್ಪಾಗಲಾರದು.

ಇದೊಂದು ಕಾರಣಾಂತರಗಳಿಂದ ದೂರವಾದ ತಾತ - ಮೊಮ್ಮಗನ ಕಥೆ. ವಿದೇಶದಲ್ಲಿರುವ ಮೊಮ್ಮಗನ ಆಗಮನಕ್ಕಾಗಿ ಹಂಬಲಿಸುತ್ತಿರುವ ತಾತನ ಭಾವನಾತ್ಮಕ ಕಥೆ. ತಾತ - ಮೊಮ್ಮಗನ ಪ್ರೀತಿಯೊಂದಿಗೆ, ಸುಂದರವಾದ ಪ್ರೇಮಕಥೆ ಕೂಡ ಇದೆ. ಸಂಬಂಧಗಳ ಮೌಲ್ಯವಿದೆ. ತಾತ - ಮೊಮ್ಮಗ ಏಕೆ ದೂರವಾಗುತ್ತಾರೆ?? ಮತ್ತೆ ಒಂದಾಗುತ್ತಾರಾ?? ಹೌದು ಎಂದಾದರೆ ಹೇಗೆ?? ಎಂಬುವುದೇ ಚಿತ್ರದ ಜೀವಾಳ.

ದರ್ಶನ್ ತಮ್ಮ ಕಮರ್ಷ್ಯಲ್ಲ್ ಚತ್ರಗಳಿಂದ ಹೊರಬಂದು 'ತಾರಕ್' ಸಿನಿಮಾ ಮಾಡಿದ್ದಾರೆ. ಇದೊಂದು ಪಕ್ಕ ಫ್ಯಾಮಿಲಿ ಎಂಟರ್ಟೈನ್ಮೆಂಟ್ ಸಿನಿಮಾ. ಇದರಿಂದ ದರ್ಶನ್ ಅವರ ಸಿನಿಮಾಗಿದ್ದ ಇಮೇಜ್ ಬದಲಾದರೂ ಅಚ್ಚರಿಪಡುವಂತ್ತಿಲ್ಲ.

ಹೀಗೇಂದಾಕ್ಶಣ ಮಾಸ್ ಆಡಿಯನ್ಸ್ ಬೇಜಾರು ಪಡ್ಬೇಕಾಗೇ ಇಲ್ಲ. ಯಾಕೆ ಅಂದ್ರೆ ತಾರಕ್ ಚಿತ್ರದಲ್ಲಿ ಮಾಸ್ ಎಲಿಮೆಂಟ್ಸ್ ಕೂಡ ಇದೆ. ದರ್ಶನ್ ತಮ್ಮ ಅಭಿಮಾನಿಗಳಿಗೆ ಇಷ್ಟವಾಗುವಂತಹ ಮೂರು ಭರ್ಜರಿ ಫೈಟ್ ಗಳನ್ನು ಮಾಡಿದ್ದರೆ. ಅವರ ಮೈಕಟ್ಟಿಗೆ ತಕ್ಕಂತಹ ಪಂಚಿಂಗ್ ಡೈಲಾಗ್ಸ್ ಕೂಡ ಇದೆ. ಆದ್ರೆ ಅವುಗಳಾವುದು ಬಿಲ್ಡಪ್ ಎಂದೆನಿಸಲ್ಲ.

ಈ ಚತ್ರದಲ್ಲಿ ವಿಷೇಶವೇನೆಂದರೆ ದರ್ಶನ್ ಕಂಪ್ಲೀಟ್ ಬದಲಾಗಿದ್ದಾರೆ. ಒಬ್ಬ ಜವಾಬ್ದಾರಿಯುತ ಯುವಕನಾಗಿ, ಒಬ್ಬ ಯಶಸ್ವಿ ಬಿಸ್ನೆಸ್ ಮ್ಯಾನ್ ಆಗಿ ಹಾಗು ಒಬ್ಬ ಲವರ್ ಬಾಯ್ ಆಗಿ ನಟಿಸಿದ್ದಾರೆ.
ಇನ್ನು ಸಹ ನಟರ ಬಗ್ಗೆ ಹೇಳುವುದಾದರೆ, ಎಲ್ಲರೂ ತಮ್ಮ ತಮ್ಮ ಪಾತ್ರವನ್ನು ಅಚ್ಚುಕಟ್ಟಾಗಿ ನಿರ್ವಹಿಸಿದ್ದಾರೆ. ದೇವರಾಜ್ ರವರು ತಾತನ ಪಾತ್ರದಲ್ಲಿ ಮನ ಕಲಕುವಂತಹ ರೀತಿಯಲ್ಲಿ ಅಭಿನಯಿಸಿದ್ದಾರೆ.
ತಮಗೆಲ್ಲರಿಗು ತಿಳಿದಿರುವಂತೆ ಚಿತ್ರದಲ್ಲಿ ಇಬ್ಬರು ನಾಯಕಿಯರಿದ್ದು, ಶಾನ್ವಿ ಶ್ರೀವಸ್ತವ್ ಕೂಡ ಒಬ್ಬರು. ಇತರೆ ಚಿತ್ರಗಳಂತೆ ನಾಯಕಿಯು ಹೀಗೆ ಬಂದು ಹಾಗೆ ಹೋಗುವ ಪಾತ್ರವಂತೂ ಅಲ್ಲ. ಮುದ್ದಾಗಿ ಕಾಣಿಸಿಕೊಂಡಿರುವ ಶಾನ್ವಿ ಅವರ ನಟನೆ ಸಿಕ್ಕಾಪಟ್ಟೆ ಇಷ್ಟವಾಗ್ತಾರೆ. ಇವರಿಂದಾನೆ ಕಥೆಯು ತಿರುವು ಪಡೆದುಕೊಳ್ಳುತ್ತದೆ.
ಚಿತ್ರದ ಇನ್ನೊಂದು ನಾಯಕಿ ಶ್ರುತಿ ಹರಿಹರನ್. ಅಪ್ಪಟ ಭಾರತೀಯ ಸಂಪ್ರದಾಯಸ್ಥ ಯುವತಿ ಪಾತ್ರ ನಿರ್ವಹಿಸಿರುವ ಶ್ರುತಿ, ತಮ್ಮ ನೈಜ ಅಭಿನಯದಿಂದ ಅಭಿಮಾನಿಗಳ ಮನ ಗೆದ್ದಿದ್ದಾರೆ. ದರ್ಶನ್ ಅವರಿಗೆ ಉತ್ತಮ ಸಾಥ್ ನೀಡುವ ಮೂಲಕ ತೆರೆಮೇಲೆ ಮಿಂಚಿದ್ದಾರೆ.

ಕುರಿ ಪ್ರತಾಪ್ ಮತ್ತು 'ಡ್ರಾಮಾ ಜ್ಯೂನಿಯರ್ಸ್' ಖ್ಯಾತಿಯ ಮಹೇಂದ್ರ ರವರ ಹಾಸ್ಯಚಟಾಕಿಯು ಪ್ರೇಕ್ಷಕರನ್ನು ನಗಿಸುವಲ್ಲಿ ಯಶಸ್ವಿಯಾಗಿದ್ದಾರೆ.
ಉಳಿದಂತೆ ಅವಿನಾಶ್, ರಾಜೇಶ್ ನಟರಂಗ, ಜೈ ಜಗದೀಶ್, ಸುಮಿತ್ರ, ಶರತ್ ಲೋಹಿತಾಶ್ವ ಅವರು ಪೋಷಕ ಕಲಾವಿದರಾಗಿ ಕಾಣಿಸಿಕೊಂಡಿದ್ದು, ಪಾತ್ರಕ್ಕೆ ನ್ಯಾಯವದಗಿಸಿದ್ದಾರೆ.

ಅರ್ಜುನ್ ಜನ್ಯ ಅವರ ಕಂಪೋಸಿಂಗ್ ವಿಭಿನ್ನವಾಗಿದ್ದು ನಾಯಕ ನಾಯಕಿಯ ಕೆಮೀಷ್ಟ್ರಿಗೆ ಇನ್ನಷ್ಟು ಸೊಬಗು ನೀಡಿದ್ದಾರೆ.. ಹಾಡುಗಳನ್ನು ಬಹುತೇಕ ವಿದೇಶದಲ್ಲಿ ಚಿತ್ರೀಕರಿಸಲಾಗಿದೆ. ಕೃಷ್ಣ ಕುಮಾರ್ ಅವರ ಕ್ಯಾಮೆರಾ ವರ್ಕ್ ತಾರಕ್ ಚಿತ್ರಕ್ಕೆ ಪ್ಲಸ್ ಪಾಯಿಂಟ್ ಆಗಿದೆ.
'ತಾರಕ್' ಸಿನಿಮಾದ ಫಸ್ಟ್ ಹಾಫ್ ನಲ್ಲಿ ಲವ್ ಸ್ಟೋರಿಗೆ ಪ್ರಾಮುಖ್ಯತೆ ನೀಡಲಾಗಿದ್ದು, ಚಿತ್ರ ನಿಧಾನಗತಿಯಲ್ಲಿ ಸಾಗುತ್ತದೆ. ಆರಂಭದಲ್ಲೇ ಪ್ರೇಕ್ಷಕರ ತಾಳ್ಮೆಯನ್ನು ಪರೀಕ್ಷಿಸುತ್ತೆ. ನಂತರ ಚಿತ್ರ ತಿರುವು ಪಡೆದುಕೊಂಡು ಸೆಕೆಂಡ್ ಹಾಫ್ ನಲ್ಲಿ ಸಿನಿಮಾ ಪ್ರದಾನವೆನಿಸುತ್ತೆ. ಕುತೂಹಲ ಕಾಪಾಡಿಕೊಳ್ಳುತ್ತಾ,  ಅಲ್ಲಲ್ಲಿ ಟ್ವಿಸ್ಟ್ ಗಳನ್ನು ನೀಡಿ ಪ್ರೇಕ್ಷಕರನ್ನು ಕ್ಲೈಮ್ಯಾಕ್ಸ್ ವರೆಗೂ ಹಿಡಿದಿಡುವಲ್ಲಿ ನಿರ್ದೇಶಕು ಯಶಸ್ಸ್ವಿಯಾಗಿದ್ದಾರೆ.

ಒಂದಂತೂ ನಿಜ! ದರ್ಶನ್ ಎಂದಾಕ್ಷಣ ಕೇವಲ ಮಾಸ್ ಆಡಿಯನ್ಸ್ ಮೆಚ್ಚುವಂತಹ ಸಿನಿಮಾ ಮಾಡುತ್ತಾರೆ ಎಂಬ ಮಾತೆಗೆ ಫುಲ್ ಸ್ಟಾಪ್ ಹಾಕುವಂತೆ ತಾರಕ್ ಚಿತ್ರವು ಮೂಡಿಬಂದಿದೆ.

ಆದರೆ ಹಲವು ನಿರೀಕ್ಷೆ ಇಟ್ಕೊಂಡು ಥಿಯೇಟರ್ ಗೆ ಬರುವ ಪ್ರೇಕ್ಷಕರಿಗೆ ಸ್ವಲ್ಪ ನಿರಾಸೆಯಾಗಬಹುದು. ಹಾಗಿದ್ದರೂ, ದರ್ಶನ್ ಅವರನ್ನ ಹೊಸ ರೀತಿಯಲ್ಲಿ ನೋಡ್ಬೇಕು ಎಂದುಕೊಂಡವರಿಗೆ ತಾರಕ್ ಚಿತ್ರವು ಮೊಸವೆನಿಸಲ್ಲ.

ನೈಜವೆನಿಸದ ಸಿನಿಮಾ ನೋಡಿ ನೋಡಿ ಸಾಕೆನಿಸಿರುವ ಪ್ರೇಕ್ಷಕರಿಗೆ ತಾರಕ್ ಒಂದು ಅದ್ಭುತವಾದ ರಸದೌತಣ. ಪ್ರೇಕ್ಷಕರು ದರ್ಶನ್ ರವರ ಹೊಸ ಪ್ರಯತ್ನವನ್ನು ಕಣ್ತುಂಬಿಕೊಂಡು ತೃಪ್ತ ಮನಸ್ಸಿನಿಂದ ಚಿತ್ರ ಮಂದಿರದಿಂದ ಹೊರ ಬರುತ್ತಾರೆ.

By: Siddharth.

Anup Bhandari's "Rajaratha" film has effectively finished the shoot and now the dubbing procedure is going on.

Be that as it may, there is a song left in the film, which will be shot not long after Nirup Bhandari's recuperation from injury.

Actually, Nirup fractured his right hand, while playing out a action sequence.
In the interim, creators who are occupied in post-production work, have chosen to discharge the teaser in October.

Ajay Reddy, Vishu Deepakakri, Anju Vallabha and Satish Shastri, are the producers of this rom-com entertainer.

Avanthika Shetty plays the lead role in the film, where Arya and P Ravishankar assumes a pivotal role in the same.

The film has Anup Bhandari's music and Ajaneesh Lokanath's background score.

By: Siddharth.

After the success of "Mugulunage", Golden Star Ganesh's next release will be "Chamak," being directed by 'Simple' Suni.

The makers have intended to catch a action sequence, which incorporates a huge number of junior artists.

In an interview with a leading daily, "In the film, the heroine (Rashmika Mandannna) celebrates Holi fest and there are almost thousands of people associated with it. At that point, the heroine makes some contravorcy with the bodyguards. And the hero enters and strikes the bodyguards covered up inside a huge number of individuals engaged with Holi celebration," Suni explains.

The same sequence will be shot on October sixth. It is wanted to shoot for a sum of 4 days and Ganesh is additionally eager to perform action arrangements coordinated by Vikram Kamose.

The film is being produced by Chandrashekhar and is in the last phase of shooting. In the event that everything goes according to the plan, the makers are getting ready for December release.